The lure of shakespeare answer key

By claiming devastating attacks on French and Russian targets in recent days, the Islamic State of Iraq and the Levant has embraced what appears to be an irrational strategy: It has angered and provoked two military powers that had been reluctant to engage in an all-out war with the newly established caliphate in Iraq and Syria.

Expanding the conflict may seem like a self-destructive move. In the short term, ISIL is almost certainly betting that it can survive a counterattack. Whatever losses the group may suffer will be far outweighed by the propaganda value of its newly proven ability to infiltrate other countries and kill hundreds of civilians, according to counterterrorism analysts and U.

And you cannot stop us from doing it. ISIL has attracted tens of thousands of fighters from other countries since it announced in June that it had established a caliphate — or a new Islamic empire — based in territory under its control in Syria and Iraq.

Wanting to avoid a repeat of the U. But the bombing attacks in Paris have increased pressure on the Obama administration to intervene more forcefully. Some analysts suggested that the Paris attack reflects an acute and continuing need for ISIL to attract fresh recruits. Some U. Until several months ago, the group had little trouble finding replacements as streams of volunteers poured into Iraq and Syria from other countries.

The group advertises its brutality — it boasts about beheading captives, raping women and killing other Muslims — and shows little inclination to modify its ways to win popular support in the territory it controls.

This is part of the divine mission. Using found natural arundhati meaning, Anestopoulos then "manually manipulates" the pieces into "lightweight, wearable" designs. Sustainability is set to be an increasingly prominent theme in beauty and skincare inaccording to industry insiders. From the B. Sign up to receive the daily top stories from the National Post, a division of Postmedia Network Inc.

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Holiday Sale! Most wonderful time of the year! Holiday print and online access subscription savings. Get holiday deals on print and online subscriptions! Subscribe now. Manage Print Subscription.Photo credit: Maveric Q: How much, if any, energy savings could be realized from eating locally or at least partly locally? I fully immersed myself in the local bounty of the Bay Area a few months ago when I ventured to a farmers market on the Embarcadero in San Francisco. I had entered "locavore" paradise: succulent strawberries pulled from the vine hours before in Northern California, milky cheese from a Point Reyes creamery, and sourdough bread fresh from the oven.

I'm not alone in my excitement: the "eat local" phenomenon has morphed into a full-fledged call to action, with Whole Foods associates wearing "I'm a local" baseball caps and the most committed among us swearing off products grown or raised outside a mile radius of San Francisco.

It's no secret that our "farm to fork" system delivers food from far-flung locations, with the average product traveling 1, "food miles" to our plates. In one theoretical example cited by Peter Singer and Jim Mason in The Ethics of What We Eata meal could feasibly travel almost 25, miles to a diner's plate, with vegetables and legumes sourced from Thailand, Spain, Zimbabwe and Zambia. So is a commitment to eating local an easy fix for realizing energy savings?

For some, the Earth-saving answer is an unequivocal "yes. High-value foods transported via airplane, such as asparagus from Peru and bell peppers from the Netherlands, produce the most formidable carbon footprint, with planes emitting 1.

If I decided to send some of the Northern California-grown kale I bought at the farmers market to my family in Philadelphia, the shipment of one pound over 2, air miles would generate approximately 2. More carbon than kale? Not exactly what my parents ordered. But the critical decision between local and far-flung food grows increasingly complex when we examine the costs of food production from start to finish—energy inputs for raising and growing; potentially harmful byproducts, such as manure from livestock; processing, packaging and mode of transport; and the energy it takes to refrigerate, freeze or otherwise store the food.

As a general rule, if production in a distant location proves more energy-efficient, even accounting for the greenhouse gas emissions from transport, then we should theoretically opt for the apples and onions from New Zealand rather than ones grown locally or domestically. Sea transport supports these long-distance energy savings, with ships emitting only 0. If you're like me, there's a rumble in your stomach—a rumble of excitement at the prospect of a food revolution, change from the ground up in local communities that will undermine our industrialized farm-to-fork system.

Let's return to the power of the "eat local" philosophy, even in the absence of evaluating a product's full energy profile food miles and production expenditures :. Transparency and accountability. Let's voice our visions for the local system and engage with our local farmers in healthy conversation uba phone contact encourage energy-efficient and pesticide- and hormone-free growing and raising practices.

Eating locally and seasonally may be the ultimate solution for reducing our "foodprint" by eliminating both the long-distance transport of items unseasonal on the local scale and the energy-intensive methods used for local, out-of-season production.

Advantage and disadvantage of the text the lure of Shakespeare

Tending to your own garden or pitching a hand on a small, community-run farm could further help you to take full control of the food on your plate.

The kids won't be so unhappy, either, when they hear mother's holy words reinvented: " Be a picky eater! Find one near you! Getting involved in a CSA community-supported agriculture offers the option of a weekly, "box share" of fresh, local produce.

The world s foremost fountaineer, Mark Fuller creates water displays that take your breath away. Magazine Current Issue Past Issues. Online Exclusives.Start learning with an activity Practice Answer a few questions on each word. Get one wrong? We'll ask some follow-up questions.

Romeo and Juliet

Use it to prep for your next quiz! And in this state she gallops night by night Through lovers' brains, and then they dream of love; O'er courtiers' knees, that dream on court'sies straight, O'er lawyers' fingers, who straight dream on fees, O'er ladies ' lips, who straight on kisses dream, Which oft the angry Mab with blisters plagues, Because their breaths with sweetmeats tainted are: Sometime she gallops o'er a courtier's nose, And then dreams he of smelling out a suit; And sometime come He fights as you sing prick-song, keeps time, distance, and proportion; rests me his minim rest, one, two, and the third in your bosom: the very butcher of a silk button, a duellist, a duellist; a gentleman of the very first house, of the first and second cause: ah, the immortal passado!

Ah, where's my man? Now will he sit under a medlar treeAnd wish his mistress were that kind of fruit As maids call medlars, when they laugh alone. O friar, the damned use that word in hell; Howlings attend it: how hast thou the heart, Being a divine, a ghostly confessor, A sin- absolverand my friend profess'd, To mangle me with that word 'banished'?

Under yond yew-trees lay thee all along, Holding thine ear close to the hollow ground; So shall no foot upon the churchyard tread, Being loose, unfirmwith digging up of graves, But thou shalt hear it: whistle then to me, As signal that thou hear'st something approach.

PRINCE And for that offence Immediately we do exile him hence: I have an interest in your hate's proceeding, My blood for your rude brawls doth lie a-bleeding; But I'll amerce you with so strong a fine That you shall all repent the loss of mine: I will be deaf to pleading and excuses; Nor tears nor prayers shall purchase out abuses: Therefore use none: let Romeo hence in haste, Else, when he's found, that hour is his last.

O, she is lame! There she lies, Flower as she was, deflowered by him. Beshrew your heart for sending me about, To catch my death with jaunting up and down! ROMEO I have night's cloak to hide me from their sight; And but thou love me, let them find me here: My life were better ended by their hate, Than death proroguedwanting of thy love.

Three civil brawls, bred of an airy word, By thee, old Capulet, and Montague, Have thrice disturb'd the quiet of our streets, And made Verona's ancient citizens Cast by their grave beseeming ornaments, To wield old partisans, in hands as old, Canker'd with peace, to part your canker'd hate: If ever you disturb our streets again, Your lives shall pay the forfeit of the peace.

ROMEO I fear, too early: for my mind misgives Some consequence yet hanging in the stars Shall bitterly begin his fearful date With this night's revels and expire the term Of a despised life closed in my breast By some vile forfeit of untimely death.

She is too fair, too wise, wisely too fair, To merit bliss by making me despair: She hath forsworn to love, and in that vow Do I live dead that live to tell it now. But come, young waverercome, go with me, In one respect I'll thy assistant be; For this alliance may so happy prove, To turn your households' rancour to pure love.

Nurse Tybalt is gone, and Romeo banished ; Romeo that kill'd him, he is banished. BENVOLIO Here were the servants of your adversary, And yours, close fighting ere I did approach: I drew to part them: in the instant came The fiery Tybalt, with his sword prepared, Which, as he breathed defiance to my ears, He swung about his head and cut the winds, Who nothing hurt withal hiss'd him in scorn: While we were interchanging thrusts and blows, Came more and more and fought on part and part, Till the prince came, who parted either part.

Good thou, save me a piece of marchpane ; and, as thou lovest me, let the porter let in Susan Grindstone and Nell. Nurse Then hie you hence to Friar Laurence' cell; There stays a husband to make you a wife: Now comes the wanton blood up in your cheeks, They'll be in scarlet straight at any news. What dares the slave Come hither, cover'd with an antic face, To fleer and scorn at our solemnity? You will set cock-a-hoop! O, mickle is the powerful grace that lies In herbs, plants, stones, and their true qualities: For nought so vile that on the earth doth live But to the earth some special good doth give, Nor aught so good but strain'd from that fair use Revolts from true birth, stumbling on abuse: Virtue itself turns vice, being misapplied ; And vice sometimes by action dignified.

Ah, poor my lord, what tongue shall smooth thy name, When I, thy three-hours wife, have mangled it? To Servant, giving a paper Go, sirrahtrudge about Through fair Verona; find those persons out Whose names are written there, and to them say, My house and welcome on their pleasure stay. He fights as you sing prick-song, keeps time, distance, and proportion; rests me his minim rest, one, two, and the third in your bosom: the very butcher of a silk button, a duellista duellist; a gentleman of the very first house, of the first and second cause: ah, the immortal passado!

I do remember an apothecary ,-- And hereabouts he dwells,--which late I noted In tatter'd weeds, with overwhelming brows, Culling of simples; meagre were his looks, Sharp misery had worn him to the bones: And in his needy shop a tortoise hung, An alligator stuff'd, and other skins Of ill-shaped fishes; and about his shelves A beggarly account of empty boxes, Green earthen pots, bladders and musty seeds, Remnants of packthread and old cakes of ros Why, is not this a lamentable thing, grandsire, that we should be thus afflicted with these strange flies, these fashion- mongersthese perdona-mi's, who stand so much on the new form, that they cannot at ease on the old bench?

The Spider and the Fly

This is that very Mab That plats the manes of horses in the night, And bakes the elflocks in foul sluttish hairs, Which once untangled, much misfortune bodes: This is the hag, when maids lie on their backs, That presses them and learns them first to bear, Making them women of good carriage: This is she-- ROMEO Peace, peace, Mercutio, peace!

Reads ' Signior Martino and his wife and daughters; County Anselme and his beauteous sisters; the lady widow of Vitravio; Signior Placentio and his lovely nieces; Mercutio and his brother Valentine; mine uncle Capulet, his wife and daughters; my fair niece Rosaline; Livia; Signior Valentio and his cousin Tybalt, Lucio and the lively Helena.

Draws Tybalt, you rat-catcherwill you walk? Thy head is as fun of quarrels as an egg is full of meat, and yet thy head hath been beaten as addle as an egg for quarrelling: thou hast quarrelled with a man for coughing in the street, because he hath wakened thy dog that hath lain asleep in the sun: didst thou not fall out with a tailor for wearing his new doublet before Easter?

Young son, it human race generator a distemper'd head So soon to bid good morrow to thy bed: Care keeps his watch in every old man's eye, And where care lodges, sleep will never lie; But where unbruised youth with unstuff'd brain Doth how to break into a shipping container with a lock box his limbs, there golden sleep doth reign: Therefore thy earliness doth me assure Thou art up-roused by some distemperature; Or if not so, then here I hit it right, Our Romeo hath not been in bed to-night.

Fie, fie, thou shamest thy shape, thy love, thy wit; Which, like a usurer, abound'st in all, And usest none in that true use indeed Which should bedeck thy shape, thy love, thy wit: Thy noble shape is but a form of wax, Digressing from the valour of a man; Thy dear love sworn but hollow perjury, Killing that love which thou hast vow'd to cherish; Thy wit, that ornament to shape and love, Misshapen in the conduct of them both, Like powder in a sk I do remember an apothecary,-- And hereabouts he dwells,--which late I noted In tatter'd weeds, with overwhelming brows, Culling of simples; meagre were his looks, Sharp misery had worn him to the bones: And in his needy shop a tortoise hung, An alligator stuff'd, and other skins Of ill-shaped fishes; and about his shelves A beggarly account of empty boxes, Green earthen pots, bladders and musty seeds, Remnants of packthread and old cakes of rosStudents whose placement scores suggest that they need more help with their reading and writing will be placed in Composition and Literature.

English is intended to help students develop the critical abilities they need at the college level. Although the content of various sections vary somewhat, all emphasize writing skills and reading comprehension. If you do not receive notification of placement, register for a course from the Literature section below. Like most good stories, conflict and growth are central to the history of humanity civilization.

Moreover, individuals caught up in this greater drama have shared the insights of their individual journeys through oral and written expression. In this way, voices of past and present adversities pass on individual experiences of downfall and victory, folly and wisdom, anguish and hope as fertilizer for the enrichment of others.

If, as individuals, we are able to find transcendence amidst adversity, then we can contribute to our collective hope for the positive transformation of our world. In this course, we will read and listen to voices of adversity in a variety of literary genres such as memoir, argumentative speech, short fiction, film and poetry. Within a broadly defined theme of transformation initiation, rite of passage, coming of age, and other variations on character transformationthis course will introduce you to literature through a variety of accessible texts including a novel, short stories, non-fiction prose, and film.

You will acquire an understanding of basic technical literary terms, learn tools for successful close readings of texts, analyze the techniques and devices used to construct a work of literature, and learn how to make use of effective writing strategies in your own analytical response essays. In this course we will read three genres in American literature: short stories, poems, and a novel.

Edgar Allan Poe, Kate Chopin, Eudora Welty, and Kurt Vonnegut will introduce us to Gothic Romanticism, turn of the nineteenth century feminism, racial discrimination during the segregation era, and a dystopian view on equality. The novel The Great Gatsby by F. Scott Fitzgerald will allow us to dip into the prohibition era and Jazz Age of the American s. Three film screenings will also be included.

We will look at the sociohistorical contexts of these works and their place in literary history, as well as the literary devices that make them unique works of art.

Much emphasis will be put on writing exercises that will contribute to sharpen your analytical skills and capability to write effective responses to texts. In this course we will read three genres of literature: short stories, poems, and plays. Short stories will span the nineteenth to twenty-first century and include realism, American gothic fiction, and a look at contemporary Canadian fiction. In our analysis of these works we will pay attention to the basic elements of short fiction, poetry, and drama, such as plot, character, setting, point of view, rhythm, rhyme and symbolism.

We will also explore their ideas and themes, and look at the position of these works in their literary and social contexts. Much emphasis will be placed on writing exercises that will contribute to sharpen your analytical skills and capability to write effective responses to texts.

This course is designed to introduce students into elements of fiction within three major genres: prose through a selection of short storiespoetry through a representative sample of formally diverse poemsand drama with the help of seeing, discussing and analyzing a classical, medieval and contemporary play.

In engaging with these literary texts, students are expected to acquire techniques of research, note taking, outlining and essay writing with a clarity of expression and a coherence of thought. By the end of the course, students will have acquired not only a certain familiarity with major forms of literature, but also a better appreciation of it. Make life beautiful! The dropping of the flower pot, as metaphor for the disturbance of social stability, is the theme that guides this course: we will study texts which examine both the creative and destructive consequences of broken social orders.

This course seeks to discover what it is about this story and others like it that resonates so strongly with people of varying ages, cultures, and backgrounds. This first-semester English course will help students develop practical college-level skills in reading comprehension, literary analysis, oral communication, and written expression. Students can expect to read works of literature taken from different historical periods and donghua dijun bl stories locations.Act II opens with a prologue in sonnet form that highlights two key points: how Romeo is affected by meeting Juliet and the difficulties the lovers will face as members of two opposed families.

The opening lines of the Prologue address the speed with which Romeo and Juliet have fallen in love, while poking fun at the way Romeo has abandoned his pursuit of Rosaline. The Prologue does little to enhance the story and is often omitted when the play is performed.

Many critics feel that a different author added the Prologue at some point after the play was originally written. Nonetheless, this introductory material serves to distinguish between Romeo's cold, miserable, unrequited love for Rosaline and his true, intensely mutual love with Juliet. Unlike the first Prologue, this one speaks less of fate; rather, it helps to build suspense.

The love is a sweet bait or lure and the fearful hooks allude to Romeo's status as a Montague. Tempering refers to the process used to make steel, and here it is implied that Romeo and Juliet's love is strengthened by the obstacles they face as members of opposing families.

Previous Scene 5. Next Scene 1. Removing book from your Reading List will also remove any bookmarked pages associated with this title. Are you sure you want to remove bookConfirmation and any corresponding bookmarks? My Preferences My Reading List. Romeo and Juliet William Shakespeare. Summary and Analysis Act II: Prologue Summary Act II opens with a prologue in sonnet form that highlights two key points: how Romeo is affected by meeting Juliet and the difficulties the lovers will face as members of two opposed families.

Adam Bede has been added to your Reading List!P lay M enu. Sign in Sign in Register. This tool requires an account. Learn more about our Study Tools. Sign in with: Clever Google. Search Close Menu. Scene Summary. Enter Romeo]. He jests at scars that never felt a wound. But, soft! What light through yonder window breaks? It is the east, and Juliet is the sun. Arise, fair sun, and kill the envious moon. Who is already sick and pale with grief.

That thouher maidart far more fair than she. Be not her maid since she is envious. Her vestal livery is but sick and green. And none but fools do wear it. Cast it off. It is my lady, O, it is my love!

O, that she knew she were! She speaks, yet she says nothing. What of that? Her eye discourses; I will answer it. I am too bold, 'tis not to me she speaks. Two of the fairest stars in all the heaven. Having some businessdo entreat her eyes. To twinkle in their spheres till they return. What if her eyes were there, they in her head? The brightness of her cheek would shame those stars.

As daylight doth a lamp. Her eyes in heaven. Would, through the airy regionstream so bright. That birds would sing and think it were not night.

See, how she leans her cheek upon her hand. O, that I were a glove upon that hand. That I might touch that cheek! Ay me!From the early s, at the beginning of his career, all the way through to its end, Shakespeare grappled again and again with a deeply unsettling question: how is it possible for a whole country to fall into the hands of a tyrant? Why do large numbers of people knowingly accept being lied to?

A Map of America’s Shakespeare Towns

How does a figure like Richard III ascend to the throne? Such a disaster, Shakespeare suggested, could not happen without widespread complicity.

His plays probe the psychological mechanisms that lead a nation to abandon its ideals and even its self-interest. Why would anyone, he asked himself, be drawn to a leader manifestly unsuited to govern, someone dangerously impulsive or viciously conniving or indifferent to the truth?

Why, in some circumstances, does evidence of mendacity, crudeness, or cruelty serve not as a fatal disadvantage but as an allure, attracting ardent followers?

Why do otherwise proud and self-respecting people submit to the sheer effrontery of the tyrant, his sense that he can get away with saying and doing anything he likes, his spectacular indecency? Shakespeare repeatedly depicted the tragic cost of this submission — the moral corruption, the massive waste of treasure, the loss of life — and the desperate, painful, heroic measures required to return a damaged nation to some modicum of health.

Is there, the plays ask, any way to stop the slide toward lawless and arbitrary rule before it is too late, any effective means to prevent the civil catastrophe that tyranny invariably provokes? Shakespeare understood something that in our own time is revealed when a major event — the fall of the Soviet Union, the collapse of the housing market, a startling election result — manages to throw a garish light on an unnerving fact: even those at the center of the innermost circles of power very often have no idea what is about to happen.

See a Problem?

Notwithstanding their desks piled high with calculations and estimates, their costly network of spies, their armies of well-paid experts, they remain almost completely in the dark. Looking on from the margins, you dream that if you could only get close enough to this or that key figure, you would have access to the actual state of affairs and know what steps you need to take to protect yourself or your country.

But the dream is a delusion. Its effects are painfully apparent in disastrously misinterpreted signals, fraudulent comforts, false alarms, sudden lurches from wild hope to suicidal despair. And the figures most deceived are not the gross multitude but, rather, the privileged and powerful. For Shakespeare, then, it was easier to think clearly when the noise of those babbling tongues was silenced and easier to tell the truth at a strategic distance from the present moment.

The oblique angle allowed him to lift off the false assumptions, the time-honored beliefs, and the misguided dreams of piety and to look unwaveringly at what lay beneath. He is pathologically narcissistic and supremely arrogant.

He has a grotesque sense of entitlement, never doubting that he can do whatever he chooses. He loves to bark orders and to watch underlings scurry to carry them out. He expects absolute loyalty, but he is incapable of gratitude.

The feelings of others mean nothing to him. He has no natural grace, no sense of shared humanity, no decency. Local Bookstores Amazon. How does Ben Jonson's quote "He was not of an age, but for all time!" from paragraph 2 contribute to the development of ideas in the text? answer choices. Answer Expert Verified · The text shows how the plays written by Shakespeare are admired around the world.

· That's because Shakespeare could. Find an answer to your question The Lure of Shakespeare Commonlit PART A: Which statement identifies the central idea of the text? Send as a message by clicking on the green message button like a text to me at Technology The Lure of Shakespeare. By Robert W. Butler. William Shakespeare () was an English poet, playwright, and actor. Directions: For the following questions, choose the best answer or respond. Which detail from "The Lure of Shakespeare" best shows why Shakespeare's plays dwindled in What are key ideas of "China's Black Mirror Moment"?

Chapter 1: An Astrologer’s Day

All you have to do is find the story or chapter in the list below (if it exists in our database) and click the 'Get Answers' button to get all the answers.

This lesson launches Module 2B and begins to build students' background knowledge about the universal appeal of William Shakespeare's works. As students engage. Writing Practice: Commonlit Article - “The Lure of Shakespeare” WRITING PROMPT: According to the text, how have famous actors' opinions of Shakespeare. Paired Texts > The Legacy of William Shakespeare. by Mia Hodorovich. We've identified these texts as great options for text pairings based on similar.

Tarvin 1 JOHN DRYDEN S AN ESSAY ON DRAMATIC POESY: QUESTIONS WITH ANSWERS This handout was prepared by Dr. William Tarvin, a retired professor of literature. Important quotes by Juliet in Romeo and Juliet. may be one of the most frequently quoted, and frequently misunderstood, lines in all of Shakespeare. "The Dialogues of Spring and Winter: A Key to the Unity of Love's Labour's Lost" (World Shakespeare Bibliogra- phy forItem ), Thomas M.

Greene. rectly relating to Shakespeare, attempts to list all items of is in answer to an earlier query by Hamlet and Sonnets the keys to an. William Shakespeare Questions and Answers - Discover the community of teachers, mentors and students just like you that can answer any question. Shakespeare made the best of the dramaturgical situation by having Hamlet riff the stock One important clue is provided by his use of “monstrous”.

No Fear hakespeclre Pllts Shakespeare's language side-by - (to JULIET) Give us a quick answer. must be the answer: You, Romeo, have not been to. William Shakespeare gave theatre some of its most famous heroines: D Cross-dressing was important to early performance and is a theatrical practice. Corpus of references to and quotations from Shakespeare's Hamlet Quotation is not easy to define.7 Yet, a preliminary answer to the what question is. LURe is a peer-edited journal devoted to publishing rigorous works of undergraduate scholarship on any Out of the Kitchen and Into Action: Shakespeare's.